Walt Whitman's poems took in the world through a wide-angle lens, including nearly everything, but most later poets have focused much more narrowly. Here the poet and novelist Jim Harrison nods to Whitman with a sweeping, inclusive poem about the course of life.
Marching
At dawn I heard among bird calls
the billions of marching feet in the churn
and squeak of gravel, even tiny feet
still wet from the mother's amniotic fluid,
and very old halting feet, the feet
of the very light and very heavy, all marching
but not together, criss-crossing at every angle
with sincere attempts not to touch, not to bump
into each other, walking in the doors of houses
and out the back door forty years later, finally
knowing that time collapses on a single
plateau where they were all their lives,
knowing that time stops when the heart stops
as they walk off the earth into the night air.
"Marching," from Jim Harrison's "Saving Daylight" (2006) is reprinted by permission of Copper Cayon Press. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln. This column does not accept unsolicited poetry.
Also at Virtual Grub Street by/about Ted Kooser:
- The Ted Kooser Page: Links to online Interviews, Recordings, Poetry, Prose, Reviews, Photos and more;
- American Gothic (a review of Delights and Shadows by Ted Kooser. Copper Canyon Press, 2004);
- Ted Kooser and the American Life in Poetry column;
- American Life in Poetry #50: Grace Bauer;
- American Life in Poetry #49: Rodney Torreson;
- American Life in Poetry #48: Walt McDonald;
- American Life in Poetry #30: Naomi Shihab Nye;
- American Life in Poetry #17: Wendell Berry;
- American Life in Poetry #4: Ruth Stone;
- More from American Life in Poetry >>>
Also of Interest:
- Call for Submissions Page: A regularly updated listing of competitions and calls for submission of poetry, prose, freelance journalism, visual arts, academic/professional papers and more.
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